I am intrigued by transience, by fragility and temporariness. I am drawn to what fades, erodes or drifts away, to things that do not insist on staying. Clarity is revealed through collapse. Beauty appears where form yields, where the impulse to create, construct and control wanes. Wandering and observation are my companions, giving time permission to unfold. I move slowly, allowing materials, places and circumstances to reveal their intentions before I choose to intervene. Design is flexible enough to hold this practice, to let me move between object and memory, between what is here and what is quietly receding.
A research-by-design project exploring anonymous acts of repair and placement of solitary chairs found in Israel’s forests.
Between design, ritual, and human presence, the project traces the poetic intersection of function, need, and contemplation.
A dialogue between craft and technology, where memory, material, and time merge through wood, sand, and digital reproduction.
A ready-made object reflecting how mediated violence penetrates daily perception, turning distance into intimacy and observation into exposure.
Stainless steel cable spring, Electric wire, Aluminum.
Led lamp
Between compression and creation, the work reflects how depth reshapes both matter and imagination
A 3D-printed mezuzah that transforms sacred tradition into digital matter, revealing the tension between concealment, transparency, and belief.
The fixing of a mezuzah on a Jewish home is the final step in building a home and marks ownership.
Why do people need jewelry made out of gold?, Does jewelry have to be expensive?
Aluminum metal sheet (2mm), Barrel clasp.